Showing posts with label Publishing. Show all posts
Showing posts with label Publishing. Show all posts

Sunday, March 16, 2014

The First Ten Pages

Mickey Spillane (an under-rated writer) once said that the first chapter of a book sells it and the last chapter sells the next book. There's a recognition in that as to how important the opening of a book manuscript is. It's not a secret. People have been talking about this through much of the twentieth century, with increasing urgency toward the end. Given the rapidly escalating volume of material turned out by aspiring authors, and the tightening of standards by publishers, getting through the agent and editor gatekeepers became an area of special knowledge all its own.

This has come to mind as I'm preparing (well in advance) to teach an introductory course on writing the novel later this year. This notion of the importance of beginnings may be the single most critical idea to communicate to aspiring authors, and I've been thinking a lot about how to go about it.

One of the books produced over a dozen years ago in response to the narrowing of opportunities for writers trying to break in was The First Five Pages by Noah Lukeman (2000, Simon & Schuster), a treasure-trove of useful no-nonsense advise to any fiction author, written from the perspective of what editors and agents look for as a key to rejecting, rather than accepting manuscripts. His point is simple and clear: most submissions are rejected for specific reasons which are found in the first five pages of the manuscript. Donald Maass in Writing the Breakout Novel (2001, Writer's Digest Books) makes a similar point, although he is prescriptive rather than proscriptive. He emphasizes what has to be established in those critical five pages rather than what has to be avoided.

So when I give craft talks at writers' groups, or sometimes when I critique a manuscript for someone, I'll frequently come back to the importance of a strong opening. Sometimes I get nods, but I can tell the person I'm talking to isn't completely sold. Readers need all this background information (they say, perhaps only to themselves) in order to understand the real story when it comes later. Besides (they say), many best-selling authors take their time getting started. Sure (I tell them) and when you're a best-selling author with a giant fan base, you can too. Until then, this is important.

But how important? Well, I think I finally know how to convince them. I was talking to another author in one of my writers' groups and his agent was telling him of an interesting development in publishing. Now that Barnes & Noble is effectively the only nationwide book chain, large publishers have a hard time making money from a traditionally-produced paper book unless B&N picks it up for their chain. A publisher needs that first big shot to justify the up-front investment in a print run. So at least one major publisher now has office space set aside for readers from B&N who vet manuscripts and give a thumbs-up or -down.

Now here's the really interesting part: they only read the first ten pages.

Before you go crazy with how unfair or unreasonable that sounds, remember that B&N knows how their customers shop. Customers come in to browse, they pick up a book, they read a few pages, and if it doesn't grab them, they return it to the shelf and move on.

I don't think they're crazy to think that. I've done exactly that many, many times. I remember picking up Michael Chabon's The Yiddish Policemen's Union (2007, Harper Collins), reading the first two pages, and immediately going to the checkout lane and buying it.

If anything, by giving authors ten pages instead of five, they are being generous.

Friday, January 3, 2014

Happy New Year!

Happy New Year one and all! 2013 was a busy year for me, and a very good one. I have a number of resolutions for the new year, one of which concerns this blog. I'll leave what that resolution might be to your collective imaginations.


The immediate news is that The Forever Engine will be on the shelves in bookstores within the next week, and also available in all e-formats from Baen Books (here's a link to their site) and also available online in paper and Kindle versions from Amazon. I received a very nice advanced review in Publishers Weekly back in the November 4th issue. Here's what it said, in part, with potential spoilers left out:

"Legendary game designer Chadwick taps into his popular Space: 1889 steampunk setting with this exciting prequel novel, which sees soldier-turned-historian Jack Fargo catapulted from 2018 to an alternate 1888 by a mysterious explosive event. Although alternately amazed and baffled by a world that features airships, interplanetary travel, America split into the Confederate States and the United States, and Europe laid out along different political lines, Fargo just wants to go home. . . .(T)he world building is rock solid, the plot fast paced, the action visceral, and the stakes high. Chadwick balances scientific theory, steampunk imagery, and memorable characters with flair. . . "

I blush.

Relating to the novel, Baen Books (my publisher) and I also have a New Year's present for you. They contracted a short story from me as a prequel to the novel and as a way of giving a little more background on one of the characters. The story is called, "Murder on the Hochflieger Ost," and takes place a year before the events of the novel on an enormous luxury zeppelin plying the Berlin-to-Istanbul route--the Space: 1889 equivalent of the Orient Express. It's a free download at the Baen Books site. Just click on this link.

Tony Daniels, my editor at Baen Books and a fine writer in his own right, had some great ideas for the rewrite and nudged me toward a far better final resolution, in my opinion. A book ends up being a collaborative effort and much of the success stems from the help the author receives from others. It still ultimately comes down to the author, but I think the current trend toward self-publishing risks losing some of the collaborative effect of going through a publishing house. Yes, you can hire editors and proofreaders, but I'm not sure it's quite the same thing. Nevertheless, it's certainly here to stay, and will certainly become an increasing part of the literary scene. The economics of publishing almost dictates it for most writers. Who knows what the future will bring, but I'm happy to be with a publishing house like Baen, one that's still intimately connected to their authors and to their customers.
 

Tuesday, August 27, 2013

Space 1889 Game Hits a Homer on Kickstarter!



For those of you who haven't been following it, the Space 1889 roleplaying game on Kickstarter finished its funding window two days ago. It had made its original funding goal within a week or the launch and then made steady progress toward the stretch goals after that. But there was a big surge at the end and it ended up hitting 483% of its original funding goal, with over $100,000 raised. There will be LOTS of supplements and adventures coming, as well as some very handsome 28mm miniatures based on the artwork for the characters.

I am delighted and a little stunned. I expected it to do well, to hits its original funding target easily, and probably double or treble that. But a nearly five-fold increase is amazing, and wonderful. With this game coming out later this year from Clockwork Productions, and the supplements coming out next year, with The Forever Engine shipping from Baen Books in January of next year, with more e-books coming in Space 1889 and Beyond from Untreed Reads, the next twelve months should be about everything Space 1889 fans could want--aside from a working aether flyer, of course.

Monday, August 12, 2013

Final Edits In on The Forever Engine


I received the final marked up copy edits of The Forever Engine a little over a week ago and just express mailed them back to the folks at Baen Books with all of my final changes. Paul Witcover at Baen did a very thorough and professional job on the copy edit and caught a  couple places where I had unintentionally mangled Gabrielle Courbiere's (the heroine's) French. That would have violated one of my cardinal rules: never make a determined woman with a lever-action shotgun look bad. Thanks for the catches, Paul.

In order to check all the edits I had to read the novel again, I had a good time doing it even though there obviously wasn't a lot of suspense for me. I couldn't tell you how many times I've read this, between the rewrites and the chapters I've read out loud at my three writing workshop groups. A lot. But I'm not sick of it, and that's a good thing. I hope you all enjoy it when it comes out in January. Baen will have an electronic advanced reading copy (eARC) out before then. I'll let you know more  when I know more. I'll also be posting at least one sample chapter here, and maybe more, when we get a little closer to publication.

Meantime the Space: 1889 Kickstarter just keeps chugging along. It's at over 250% funding now and has unlocked the Venus Sourcebook as well as a bunch of other goodies. They've added a umber of add-ons as well, including a Space: 1889 soundtrack CD--background music for playing the roleplaying game with friends or even, it occurs to me, while quietly reading The Forever Engine.

It's been a busy summer but a good one.

Tuesday, July 23, 2013

Two New Interviews With Your Favorite Author

Okay, I suppose it's a bit presumptuous to think I am your favorite author, but hope springs eternal.


The interviews were occasioned by the publication of How Dark The World Becomes earlier this year. They were conducted by email a couple weeks ago by Keith Brooke, well-known British science fiction author, editor, and web publisher.  The first interview (link) is in SF Signal online, which I'm sure many of you know of. The second (link) is a follow-up interview which appears in Keith's own Infinity Plus e-zine. I like the result because Keith got me to talk about some things I've never said much about publically, including the "type" of books I like to write. Take a look.

Saturday, March 23, 2013

Forever Engine - A Map of Europe
















Baen Books commissioned this map of western Europe in 1888 as a two-page spread in The Forever Engine, due out next January. I like what they did with it, particularly the gears for cities and towns. It covers the area where the action of the novel takes place and from some of the unlikely smaller locations included, you can probably figure out that some of the important action takes place in out-of-the-way places like Kokin Brod. You get a nice look at London and Munich as well, however.

They've also commissioned cover art well in advance and may end up with some interior art as well, so I'm very pleased with the care they're taking with the project. It's not too soon to start some buzz about this book. If it sells well, I can pretty much guarrantee sequels. When we get a little closer to publication, I'll post some sample passages here. As soon as I get the go-ahead from Baen (which I think will mean as soon as they are happy with it) I'll post the cover. Cool cover.

Thursday, March 21, 2013

How Dark The World Becomes -- now street-legal




Well, How Dark The World Becomes shipped in early February and is in Barnes & Nobles around the country as well as available through Amazon and directly from Baen Books, my publisher. I'm pretty excited. I already had a reading in Champaign, IL at the Iron Post (a great local jazz bar) and I have another one coming up on April 13 at the Jane Addams Book Store in Champaign, IL at 1:00 PM, as part of the Boneyard Arts Festival. Stop by if you're in the neighborhood. For than matter, I'm doing a book signing at the Champaign Barnes & Noble on Saturday, March 23rd at 1:00 PM as well. No reading, but stop by and say high if you happen to be in east-central Illinois around then. And as a writer friend of mine has said, "I wouldn't be offended if you bought a copy."

Here is the book back-copy:

An Addictive Taste of Freedom

Sasha Naradnyo is a gangster. He's a gangster with heart, sure, but Sasha sticks his neck out for no man. That's how you stay alive in Crack City, a colony stuffed deep into the crust of the otherwise unlivable planet Peezgtaan. Alive only -- because if you're human, you don't prosper, at least not for long. Sasha is a second generation City native. His parents came to this rock figuring to make it big, only to find that they'd been recruited as an indentured labor force for alien overlords known as the Varoki.

Now a pair of rich young Varoki under the care of a beautiful human nanny are fleeing Peezgtaan, and Sasha is recruited to help. He'd prefer to leave the little alien lordlings to their fate, but certain considerations -- such as Sasha's own imminent demise if he remains -- make it beneficial for him to take on the job.

Sasha discovers his simple choice has thrust him in the midst of a political battle that could remake the galactic balance of power and save humanity from slow death by servitude. Now all he has to do is survive and keep his charges alive on a hostile planet undergoing its own revolution.

But it's the galaxy that had better watch out. For now the toughest thug in Crack City has gotten his first taste of read freedom. He likes it, and he wants more.

***

If you've read it, please go on Amazon or Good Reads and review it. Good or bad, call it like you see it.

Here are some handy links.

Baen link to both the physical and e-book.

Amazon link to the physical book.

Amazon link to the Kindle e-book.

Friday, August 17, 2012

Video Look at the New German Space: 1889


Uhrwerk Verlag has released the limited-edition hardcover version of their new Space: 1889 game. The general market version should be close on its heels. Here is a nice video preview of the game from their web site. It's in German, of course, but you can enjoy the pictures.
Here's a link.

Thursday, August 16, 2012

Conspiracy of Silence is Live!


Conspiracy of Silence, the first book in the second season of Space: 1889 and Beyond, is now live. I just got this email from Jay Hartman, Editor-in-Chief of Untreed Reads Publishing:



Conspiracy of Silence has officially gone live! It's available for immediate purchase and download from:

The Untreed Reads Store (http://bit.ly/Pqrzz3)
Apple's iBookstore (32 countries)
Barnes and Noble (worldwide)
DriveThruRPG.com (new retailer for Space: 1889 & Beyond!)
Lightning Source (North American distributor)

We are in the process of sending out the coupon code for all of the people who purchased the Season Two Pass.

Monday, August 13, 2012

Space 1889 and Beyond Season 2 Preview

Season two of Space: 1889 and beyond is just about here, and Untred Reads is offering another season pass. More about that soon. But in the mean time here is the press release from Untreed Reads followed by a preview of Conspiracy of Silence, co-authored by Andy Frankham-Allen and myself.




Coming mid-August 2012
The second exciting series of steampunk adventures!
Everything H.G. Wells could have written.
Everything Arthur Conan Doyle thought of,
but never published – because it was too fantastic!

Following on from the success of the first series, Untreed Reads Publishing is proud to present the second series of six books based on the world-renowned Role Playing Game, fully licensed from creator, Frank Chadwick, and headed by best-selling author Andy Frankham-Allen.

The series begins mid-August, and will be released bi-monthly, thus running for a whole year. Once again we’ve brought together some of the best names in fantasy fiction as well as some relatively new names to bring you a series that will continue to re-shape the popular steampunk universe first created almost twenty years ago.

This series our heroes, “Professor” Nathanial Stone and Annabelle Somerset are joined by two others on their journey through the aether. Captain Jacob Folkard, the commander of HMAS Sovereign, and another familiar face. There is much turbulence and change ahead, as secrets are unveiled, mysteries revealed, with the fate of the British Empire hanging in the balance. Think you’ve seen it all? Think again. Join Nathanial, Annabelle, Folkard and guest as they travel from one corner of the Space: 1889 universe to another, from the conspiracies that eat away at the heart of the British Empire to the underworld of Ceres, watch them as they encounter pterodactyls in the clouds above Venus, join them on their longest journey between worlds where it seems their darkest fears follow them all the way to Phobos and the mysteries contained inside that moon… Where will their journey end? Nothing is certain, except that by the end of series two the 1889-verse will be shaken to its very core!

Previously On…
At the end of the last series, Nathanial and Annabelle found themselves in something of a tight spot. Annabelle lost one of her legs due to the machinations of the manipulative French man, Le Boeuf, on an experimental heliograph station, and Nathanial found himself placed under arrest for the destruction of said station. It seemed things were looking up for them after they helped rescue Annabelle’s increasingly mad uncle, inventor Cyrus Grant, and foiled a Russian plan to secure the moon and the alien Heart at its centre. But as series one closed, Annabelle was disheartened by her uncle’s deterioration, despite the support of Lieutenant George Bedford, first officer of the Royal Navy’s flagship HMAS Sovereign, and Nathanial was left to ponder his own future. He hopes that his actions on Luna will give his innocence some credence, but is concerned about the reception awaiting him on Earth… No one but he and Annabelle survived the destruction of Peregrine station, so who is behind the charges levied against him?

Series two begins mere hours from where series one left off, with the series creator, Frank Chadwick, joining forces with series editor, Andy Frankham-Allen, to bring you a tour-de-force in Space: 1889 adventure!



The Stories
1.      Conspiracy of Silence by Andy Frankham-Allen & Frank Chadwick
2.      To Ceres by Steam by Paul Ebbs
3.      Leviathans of the Clouds by Steven Savile & David Parish-Whittaker
4.      The Forever Journey by Oli Smith
5.      A Fistful of Dust by Sharon Bidwell
6.      Horizons of Deceit by Jonathan Cooper




The Team
Andy Frankham-Allen (left, series editor and co-author, Conspiracy of Silence) is a Welsh-born author of many short stories, both for Untreed Reads and the Big Finish’s official range of Doctor Who anthologies. In 2005 he co-authored the last in Noise Monster Productions range of Space 1889 audio dramas, and in early 2011 Untreed Reads published the first novel in his new real world dark fantasy series, The Garden, which was nominated for the Rainbow Award, Best Full-Length Supernatural Novel 2011. He continues to write short stories and novels, with upcoming projects including a novel in Crossroads Press’ Scattered Earth series, and non-fiction Doctor Who book for Candy Jar Publishing, as well the second book in The Garden series. On top of all that, he’s also the series editor for Space: 1889 & Beyond.
Frank Chadwick (right, series creator and co-author, Conspiracy of Silence) is no stranger to the Victorian science fiction field. He is the creator of the Space: 1889 universe, with the first in a series of role-playing adventures, board games, and miniatures rules appearing over twenty years ago. He is known throughout the gaming industry as one of its most prolific designers, with over a hundred published games. He is also well-known in the history and military affairs field, with over two hundred books, articles, and columns. His 1991 Desert Shield Fact Book reached number one on the New York Times bestseller list, but he still lists steampunk as one of his first and greatest loves. As well writing one and a half novels in the first series of Space: 1889 & Beyond, his forthcoming works include two novels with Baen Books, How Dark the World Becomes and The Forever Engine which is set in the Space: 1889 universe.

Paul Ebbs (left, author To Ceres by Steam) has written various Doctor Who related things for the BBC, Big Finish Productions and BBV, and as a TV writer he’s written for such notable shows as EastEnders, Casualty, The Bill and Dead Ringers.

Steven Savile (right, co-author, Leviathan of the Clouds) has written for Doctor Who, Primeval, Stargate, Warhammer, Slaine, Fireborn, Pathfinder and other popular game and comic worlds. His novels have been published in eight languages to date, including the Italian bestseller L’eridita. He won the International Media Association of Tie-In Writers award for his Primeval novel, Shadow of the Jaguar, published by Titan, in 2010, and has been nominated for the British Fantasy Award on multiple occasions. Silver, his debut thriller reached #2 in the Amazon UK e-charts in the summer of 2011 selling over forty thousand copies in the process. He wrote the story for the huge international bestselling computer game Battlefield 3, which sold over five million copies in its week of release, and he served as head writer on the popular online children’s game SPINEWORLD which have over one million players. His latest books include Tau Ceti (co-authored with International Bestselling novelist Kevin J. Anderson), Each Ember’s Ghost and the novelisation of the computer game Risen 2: Dark Waters.

David Parish-Whittaker (left, co-author. Leviathan of the Clouds) was a winner of the Writers of the Future contest for emerging talent in speculative fiction for his short story A Warbird in the Belly of the Mouse. He’s previously written tie-in fiction for the Rezolution miniatures ruleset by Aberrant Games, to be published in an upcoming anthology. His short fiction has also appeared in Every Day Fiction. He currently writes videogame analysis and reviews for Geekosophy and Bag of Games. When he’s not writing, David works as a captain for a national airline. In previous incarnations, he has been a naval flight officer, traffic watch pilot, glider tow pilot and aerobatic instructor. He is a rated commercial glider pilot, and holds an H-2 hang glider rating. In his off hours, he plays a replica medieval harp for the Goliards, an early music group specializing in 13th – 15th century music, mostly to cement his geek street cred.

Oli Smith (right, author, The Forever Journey) spent two years as a freelance writer working on novels, audio books, comic strips and video games for the BBC series Doctor Who. Now he works as a creative producer for London-based video games company Mediatonic and spends his evenings playing board games. He still likes writing, retro sci-fi and RPGs so it looks like Space: 1889 has got him covered.


Sharon Bidwell (left, author, A Fistful of Death) was born in London on New Year’s Eve. The first short story she submitted — Silver Apples of the Moon— was accepted by Roadworks Magazine. The editor announced her as ‘a writer who is going places’ and described the story as having ‘both a Sci-fi and horror element,’ and being ‘strong on characterisation, and quite literary, in terms of style.’ With a repertoire of twisted tales and a love of cross-genre writing, it surprised everyone (including herself) when she branched out into erotic romance. These works have been critically acclaimed and often described as ‘deeply passionate’. Sharon’s worlds are vivid, unexpected and sometimes intensely magical. She is the author of the best-selling gay romances ‘Snow Angel‘ and the sequel ‘Angel Heart’. Sharon writes whatever her warped mind can come up with. Although her longer works to date mostly involve a variety of wonderful men finding true love…or at least some loving, she’s quite capable of writing something darker, grittier, and even outright twisted.
Jonathan Cooper (right, author, Horizons of Deceit) was born in Wolverhampton in 1981. He started his career in theatre, writing plays from the Birmingham REP and the King’s Head in Islington. He has written extensively on the web on film, TV, video games and other assorted geekery, including a stint producing reviews and opinion for Mirror.co.uk. He has written and produced two short films with another two in production and has had short stories published internationally – he is also, according to the BBC – one of the top 200 comedy writers in the UK. Horizons of Deceit is his first full-length science fiction piece, and he remains bizarrely proud of the day Steven Moffat threatened to set his eagles on him.

Adam Burn (left, cover designer) has been drawing from an early age, and has been working with digital art for at least seven of them. He is a freelance artist who has worked for Games Workshop and Fantasy Flight Games. He was, most recently, the Senior 2D Artist for Taitale Studios on their forthcoming MMORTS game, Novus Aeterno. Steampunk is a new genre for him, but one he’s finding his way around quickly, and he is responsible for the covers of series two, as well as the revamp of the Space: 1889 & Beyondlogo.

Exclusive: Conspiracy of Silence (prologue)
1.
“AETHER PROPELLOR SECURED and ventral mast shipped, sir.”

“Very good, Mister Barry.” Lieutenant George Bedford, acting captain of HMAS Sovereign, the most modern aether battleship in the Royal Navy, took a quick scan of the bridge instruments and engine room repeaters before turning back to the young sub-lieutenant. “At what would you estimate our drop, Mister Barry?”

Barry had only worn the single thick stripe of a sub-lieutenant for eight months and Bedford hadn’t known him as a midshipman. The youngster had a good level head on his shoulders, Bedford had learned that much about him several weeks earlier when the two of them had dropped half a dozen Saltators—giant lunar red ants—with revolver fire when the monsters had boiled unexpectedly out of the hatch of a cutter on the docking bay. His technical skills were another matter, but they were coming along.
Barry squinted through the lens of the horizontal inclinometer, aimed out the bridge’s starboard observation blister, consulted his pocket watch, waited ten seconds and took a second reading through the lens. He paused, doing the calculation in his head.

“I make the drop fifty-five fathoms per second, sir.”

Bedford nodded; he made it nearly the same. Fifty-five fathoms a second, a descent rate of almost four miles a minute, was a bit steep and on this trajectory would put them down in the North Atlantic instead of the English Channel, as well as scorch the lower hull. “Trimsman, let’s have fifteen percent buoyancy on the lifters.”
“Fifteen percent buoyancy, aye, sir,” the petty officer answered and went to work on his forest of levers, each controlling the angle of one of the liftwood louvers which covered much of Sovereign’s lower hull.

“Mister Barry, my compliments to Lieutenant Boswell and he may light the coal boilers at his discretion.”

“Sir.”

They wouldn’t have enough atmospheric oxygen for the boilers for another ten minutes or so, but Boswell, the chief engineer, knew that well enough. The sun was still visible above the curvature of the Earth and would remain so all the way down through cloud-free skies. Although it was not yet day in Southern England, the eastern sky would already be pink and the sun would rise full up in the hour their descent from orbit would take, racing as they were toward the dawn. The solar boilers would do until Boswell put the black gang to work, would probably suffice until the last ten minutes of the flight, when they would penetrate the near-permanent cloud and smoke cover over Greater London. No solar boiler yet made would work down under that grey-brown shroud.

Bedford took another look at the bridge, its gleaming brass instruments and polished mahogany panelling, and he sighed. In an hour, a bit more, Sovereign would be down and secure at Chatham Dockyard and his temporary command would end. There was no chance for a simple lieutenant with eight years seniority to land a permanent command such as this—the choicest command in the fleet, coveted by officers with two more stripes on their cuffs and with the all-important political backing and social standing he lacked. No, he would be reassigned. In the past he had always looked forward to a new assignment, but not this time. After commanding Sovereign, however briefly, no other assignment had the capacity to stir his blood. Damn, she was a fine ship!

More than that, she held memories. Were it not for his assignment to HMAS Sovereign, he would never have met and befriended Nathanial Stone, and would not now be delivering him to the police for trial as a traitor and saboteur. He would never have met Cyrus Grant, one of the greatest scientific minds of the age, now reduced to confusion and madness by their experiences on Luna. Most importantly, he would never have met Grant’s niece, Annabelle Somerset.

Annabelle…
2.
NATHANIAL WATCHED AS the line of Russian former captives was led to the steam omnibus waiting at dockside. The irony of their situation and his washed over him like a cold wave. Former enemies of Britain, they, along with British personnel, had been captured by the alien Drobates on Luna, and all had been rescued by Bedford’s daring raid, leading fewer than a dozen Royal marines and naval ratings. Now the Russians would be released, amidst much public fanfare, to the custody of the Russian ambassador, who would in turn express the heartfelt gratitude of the Tsar.

In the subsequent fighting which had nearly cost all of them their lives, the Russians had done nothing to help while Nathanial, with a captured Drobate electric rifle, had held a long, dim tunnel against an alien horde, and had done so nearly alone and with little expectation he would escape with his life. Now British soldiers helped the Russians into the steam omnibus, showed them every courtesy, while a quartet of hard-eyed constables marched purposely toward Nathanial, obviously intent on taking custody of him from the two Royal Marines who guarded him.

Nathanial had at least expected to be met by some sort of government official, have the charges explained. Instead a black police four-wheeler loomed behind the constables. Were they really simply going to pack him up and cart him off to prison with no further ado?

Nathanial looked for any sign of his friends. Captain Folkard, who had relieved himself of command of Sovereign after the disastrous events on Luna had played themselves out, was nowhere to be seen on the dock, but Nathanial spied Annabelle making her way to him on the arm of Lieutenant Bedford, both of them limping. Bedford had suffered a nasty sprain of his ankle on Luna and Annabelle… Months earlier Annabelle had lost her right leg above the knee and now wore a mechanical limb designed by Nathanial and built using Drobate technology over the course of the last few weeks. It seemed to serve her well, the only bright spot in this uniformly bleak scene.

“Is this Stone?” the leading constable asked.

“Of course it is,” Private Jones answered, bristling slightly. “And what of it, then?”

“It’s all right, Private,” Nathanial said. “It is clear enough they are here for me. If you gentlemen would be so good as to give me a moment to take my leave of my friends, I would appreciate it.” He addressed this last to the leading constable.

Instead the man gestured to his assistants. “Seize him and put him in the van.”

“No! Just a moment, please!” Nathanial entreated but to no avail.

Two constables pinned his arms to his side and pulled him toward the black carriage. A few yards away Annabelle cried out and broke free of Bedford, reached out to him. The leading constable made as if to stop her but Jones’s rifle was suddenly in his hands at high port.

“Touch the lady, friend, and you’ll be chokin’ on your teeth,” Jones growled and the constable took a step back.

“Nathanial,” Annabelle said and thrust something round, flat, and metallic into his hand, “take this and remember—never lose hope.”

The constables pulled him away and he saw George Bedford comforting Annabelle as the doors on the back of the van closed and plunged him into darkness. He looked at his hand and saw a small gold watch, gleaming dully in the faint light which entered through the overhead ventilator. He recognised it as the pocket watch her father had given her—which contained on its inside a daguerreotype of her deceased parents; the only thing she retained from that former life.

Never lose hope.

Monday, June 25, 2012

Why Are E-Books Such A Big Deal? Part 2


Well, I knew I'd come back to this topic, and so I have. What prompts my return is the announcement that for the first time eBook sales revenues in the US have topped hardcover revenues. Ebooks surpassed hardcovers in units sold some time ago, but unit prices are much lower. Now gross revenues have surpassed them as well, according to a new report from the Association of American Publishers (AAP) and reported in TechCrunch.com (link to article here).

The study looks at revenue-to-date in calender 2012, in which time ebooks generated $282.3 million in sales and hard-covers generated $229.8 million. The article then goes on to look at comparative sales data from the same period last year and claims (incorrectly), "Almost exactly a year ago the tables were turned with ebooks hitting $220 million and hardcovers brushing $335 million." They included the statistical table from the AAP report which shows that the authors of the TechCrunch article had a hard time reading the table correctly, since the $335 million sales number was in fact for adult paperbacks, not adult hardcovers. Adult hardcover numbers were actually only 223.5 million last year, which means ebook sales passed hardcover, but not going in opposite directions; both grew, but ebooks grew more.

The big losers were adult paperback (down from $335 million to $299.8 million) and adult mass market paperback (down from $124.8 million to $98.9 million) which sort of confirms my earlier suspicion that ebooks were supplanting paperbacks more than hardcovers due to their lower price point and greater portability.

At about the same time Bowkers released a ten-country study (link to study here) on percentage of the population which had purchased and downloaded an ebook. Since only ten countries were studied, this is obviously not exhaustive, but it's still interesting. Here are the rankings for those ten countries:

India                     24%
Australia              21%
United Kingdom  21%
United States       20%
Brazil                   18%
South Korea         14%
Germany              13%
Spain                    13%
Japan                      8%
France                    5%

A couple observations on these numbers.

The India and Brazil numbers are striking. The parts of the third world which are in the process of breaking into the first world -- and India and Brazil are in the forfront of the --, have enjoyed explosive growth in digital connectivity in part because of infrastructure issues. Cell phones have become the communication device of choice because cell phone service requires modest infrastructure increases compared with laying land lines everywhere, so lots of folks have cell phones instead of land lines. Digital literacy has followedat a pretty healthy clip and that's pointed to as a partial explanation of the enthusiastic embrace of ebooks in those countries.

France's low adoption rate is striking but may have something to do with its traditional love affair with the printed word. A more tangible reason has to do with France and Germany both having regulations in effect which protect small bookstores and so encourage consumers to frequent them.
Here's a link to Paris-based blogger Frederic Filloux, who discusses this. The impact of the ebook revolution on bookstores in our country has been profound (although it's certainly not the only thing which put a squeeze on them). In the 1950s, New York City boasted over 330 bookstores. Now it is down to 30 (according to Andre Schiffrin, former head of Pantheon Books).

Tuesday, May 22, 2012

Why Are E-Books Such A Big Deal? Part 1


I've said before here that everyone (including me) has an opinion about where e-publishing is going, but nobody (including me) really knows. The reason is the landscape is changing so fast. One element of human psychology is "presentism," (although I don't think that's exactly the term generally used) but what it means is that only the present is real and so we psychologically assign enormous weight to it -- correctly, for the most part. But it also means we have an easy time believing in gradual change but a very hard time believing in the possibility of sudden and very dramatic change. Hardly anyone foresees catastrophes, and those who do are branded crackpots, although to be fair, they are vastly outnumbered by the genuine crackpots who predict catastrophes all the time and are always wrong. What does that have to do with the future of e-publishing?

E-readership is expanding at a rate which, were it a disease or a climatic shift, would clearly be catastrophic. A study from Bowkers (one of the big names in publishing) which came out this last week drives that home. The study was of e-readership in the United Kingdom. Here are some of the remarkable changes it identified.

Effectively one third of all Brits are now or will soon be e-readers. 31% self-identified themselves as likely to purchase an e-book in the next six months. That's a big number, but what sort of a trend does it represent? The number of adults in the UK who have purchased an e-book has nearly tripled in the seven months from February of 2011 to the information cut-off of the study.

Tablets have become the reader of choice, with Kindle dominating the tablet market, with consumers purchasing well over one million of the eReaders per week from the fourth quarter of last year on. . I suspect the iPad is coming on strong, even though it is not a dedicated eReader.

So where this is going is anybody's guess. One effect has been the explosion of self-publishing. For the first time in history, authors have a nearly unrestricted access to the global marketplace, for better or worse. (One of the gatekeepers standing between authors and readers in the past was the editor, and lots of self-published eBooks would have benefitted from that particular gatekeeper having remained in place.)

Lots of folks will guess wrong about what this means for the future, but the one guess you can be certain is wrong is that this is all just a passing fad and won't have much long-term effect on publishing.

I labeled this entry "Part 1," because I'm sure I'll end up revisiting this subject again.

Monday, May 14, 2012

Space 1889 Novel to be Published by Baen Books

Yesterday I promised you some big news and here it is.

I told you several months ago that Baen Books was publishing my novel How Dark The World Becomes. When they contracted for that book they asked if I had anything else for them to look at. I did: The Forever Engine, a Space: 1889 novel. I sent it off, we've talked several times since then, and Friday I signed the contracts and dropped them in the mail. A Space: 1889 novel will see print in the near future from one of the top science fiction publishers.

I don't have a release date yet. I'm working on some rewrites and once those are locked down to everyone's satisfaction Baen will come up with a date. But in the mean time this is very exciting stuff for me.

The novel actually takes place in 1888 and some of the events and characters from The Forever Engine appear as background incidents and minor characters in one (so far) of the Space: 1889 and Beyond stories. But it's not a prequill or a lead-in to other stories. It's a great big story which stands all on its own, and deals with nothing less than the fundamental fabric of the universe.

I can't tell you much more about it now. As we get closer I'll lay some groundwork, but right now publication is well over a year away, so everyne gets to work on refining the virtue of patience.

Sunday, May 13, 2012

Great Review of A Prince of Mars!



I just got a great review of A Prince of Mars from the Traveler's Steampunk Blog. Ten out of ten zeppelins! He was very careful to touch on some of the critical features of the story without letting any spoilers slip, which I really appreciate. Those of you who have read it know there are some pretty sharp twists and turns and a place where, if I've done my job right, the readers will smack their foreheads and say, "Oh! Of course!" So I'm glad he didn't let any cats out of the properly-ventilated pet carrier.

Here's a link to the review.

I'd have held off on this announcement until tomorrow, but I promised you big news then and I didn't want to step on that story with this one -- not that this one isn't way-cool.

Monday, April 16, 2012

Dark Side of Luna -- Coming This Week


Book six, and the finale to the first season of Space 1889 and Beyond stories, will be out from Untreed Reads by the end of this week. The finished cover is above and it has a suitably menacing look to it. I co-authored this piece and I think you'll really like it. Dark Side of Luna has lots of action, including a sort of "small war" military campaign (if you can conduct an extended campaign with one section of Royal Marine Light Infantry -- and it seems you can if you are a sufficiently determined and resourceful chap).

So those of you who have purchased A Prince of Mars but not yet read it might want to, so as to be primed for this new epic adventure. Those of you who have not purchased it . . . well, I hardly know what to offer you other than a revolver and some privacy.

Andy Frankham-Allen , the series editor, and I are co-authoring the lead book in the second series, Conspiracy of Silence, which picks up where Dark Side of Luna leaves off. In fact, I've got to finish up the last chapter, so back to it.

Monday, February 27, 2012

Prince of Mars is Live!

A Prince of Mars is live at last! Those of you who have pre-purchased the series should already have your downloads. The rest of you can pick it up from any of these online sites:

The Untreed Reads Store (http://bit.ly/xOVH8R)
Amazon
Scribd
OmniLit.com
Barnes and Noble
Lightning Source


Here is the publisher's description:

Barely making it to Mars in their crippled aether cutter, Nathanial and Annabelle crash in the desolate Martian wastes. A disfigured Martian with a mysterious past helps them survive in the desert, but when they are rescued by a passing caravan their troubles may only have started.

Raids by steppe nomads and flying skrill riders are the most obvious dangers, but simmering resentment against Earth humans, and intricate plots to overthrow the British colony, lurk everywhere just beneath the surface.

Apparent friends become enemies, unexpected allies appear from unlikely sources, and the shadowy past of their Martian guardian collides with the sinister plans of the murderous head of the dreaded Martian Cult of the Worm...


And here is an excerpt to tease your interest:

Nathanial thirsted, but he did not trust his trembling hands to pick up the water cup without splashing half its contents on the sand. They were not short of water, of course. He simply was loathe to show weakness in front of Kak’hamish.

“You have pen and paper,” Kak’hamish said. “I will write out an explanation of your situation in Koline. All caravan masters speak Koline—it is a trade language, a pidgin of several tongues. If you are fortunate, the first caravan we see will be heading northwest, to Abak’hn. That is where you need to start. Then you must take a caravan or cloudship southwest to Siruahn, then another southwest to Thoth. Thoth is on the Grand Canal. From there you can obtain passage on a boat south to Shastapsh, where I hear there is a British garrison.”

“You will not accompany us any farther?”

“I have…other plans.”

Rubbish! The fellow had no plans other than to wander back into the desert to die. If Nathanial had been by himself it might have been different. He could take care of himself, steal food if he had to, barter for passage using the instruments and valuables he had brought off the cutter. But with Annabelle in the state she was in, he wasn’t sure how he would manage. Much as he hated to admit it, this scoundrel could help.

“You might at least tell me something of these cities we’re to pass through. Are they dangerous?”

Kak’hamish moved his jaw from side to side in thought. Clack-clack. “Dangerous? All cities are dangerous to one degree or another, aren’t they? People live in cities so…well, there you are.

“Abak’hn I suppose is particularly dangerous in that manner, although I have not been there for many years and it may have improved. Or deteriorated. It is cursed with a weak prince, Akhanoon III. He is absorbed by his own pleasures and content to let the city govern itself.”

“Some would say the hand of government lying lightly is a blessing,” Nathanial said.

“Yes, I have heard this as well but never from one who has actually experienced it first-hand, unless they were very rich. Without a patron or protector, you will be in considerable peril in Abak’hn. The strong take what they want and the town watch looks the other way, unless disorder threatens commerce or offends the sensibilities of the gentry—so there is sometimes danger in resisting the predators as well.”

“Sounds like a rum place,” Nathanial observed, and he admitted to a pang of anxiety. He was armed, it was true, but he had no confidence in his own abilities in a violent confrontation. True, he’d shot Le Boeuf, a cold and considered act for what Le Boeuf had done to Annabelle. But still, thinking back, it almost seemed as if another man had pulled the trigger, not him at all. He had hardly had cause to even raise his voice to someone before embarking on this disastrous tour of the worlds. Since then, often as not it had been Annabelle who had taken the lead, charted a plan of action. Poor Annabelle! Still half out of her head with fever. He wished she would recover quickly. He desperately needed her clear head, courage, and decisive nature.

The truth was he simply didn’t feel up to facing this by himself. If it came to that, could he kill a man? Well, yes. He had done it once and felt no regrets on that score. He could do it again, if necessary. But that was a devil he knew. What of the devils he knew not? Too many ill-understood dangers, and too many ambiguous situations requiring decisions on little or no reliable information, blocked the way forward. One had to trust one’s instincts, he supposed, and just forge ahead. But what if one had little faith in those instincts?

Kak’hamish was talking again and Nathanial shook those maudlin thoughts from his head.

“Siruahn is very different, of course. It once had a young prince like Akhanoon—stupid, vain, and convinced of his own indispensability. This was a conviction the people of Siruahn did not share. Twenty-some years ago they drove him out and turned the government over to a council elected from the different castes—merchants, tradesmen, farmers—even labourers, as I recall, although the wealthy are better represented than their numbers might warrant.”

“Really? It sounds a bit like a parliament,” Nathanial said. “How are they chosen, by election?”

Clack-clack. “I do not know exactly. Someone once told me, but it was very complicated and I have forgotten most of it. I understand they argue about the selection a great deal and make frequent changes, so it would be different now in any case. They argue about everything, I have heard. The poor argue with the rich, and are not even beaten for their insolence! It has become a very argumentative city.” Kak’hamish shook his head as if in disapproval, but Nathanial noticed he smiled as he did so. It was hard to tell a smile from a grimace on Kak’hamish unless you looked at his eyes. “This was a distressful business with Miss Annabelle’s wound,” Kak’hamish said. “It grows late and distress can bring fatigue. We should sleep, but also take turns watching. You still have your pistol?”

“Yes, it’s in my kit over there. Do you think we need it? I thought there were no large predators out here.”

“Not in the deadlands, but we no longer sleep in their sandy embrace. There is much to sustain a predator in the gardenways—now including us. Some of the larger animals have developed a taste for stragglers from caravans. They may like the taste of Earth people less than my own folk, but by the time they discover that it will do you no good.”

Nathanial tried not to look as if he was hurrying as he walked to the travois to get his derringer. That box of extra cartridges wouldn’t hurt either, come to think of it. Sometimes animals ran in packs, after all.

Wednesday, February 1, 2012

January Bestsellers From Untreed Reads

Well, the January bestsellers from the Untreed Reads online store are out and all four Space: 1889 & Beyond books made it into the top ten.

3. Abattoir in the Aether, L. Joseph Shosty
8. Ghosts of Mercury, Mark Michalowsky
9. Journey to the Heart of Luna, Andy Frankham-Allen
10. Vandals on Venus, K.G. McAbee

Congratulations, team! How many months in a row now has your book has been in the top ten, Andy?

Monday, January 30, 2012

Space: 1889 And Beyond News

Just recovering from Winter War down in Champaign, IL (almost next door) which was this past weekend. Tom Harris and I ran a very big Mars Needs Steam game -- a little too big, actually. It was exhausting to run, but looked very cool. Tom's camera broke over the weekend but a couple attendees took some pictures and I'll post them along with a report, as soon as I get them.

In the mean time, here are three news items on Space: 1889 and Beyond.

Item One: Big Sale at BooksOnBoard
All of the Untreed Reads titles -- including Space: 1889 & Beyond --are currently on sale at the BooksOnBoard site. Prices are 1/3 off list if you enter the coupon code EZMATH at checkout. The good thing about this sale is the authors still get full royalties, so it's a good way to support their work. If you haven't picked up the line yet, or you've got a friend considering it, here's a good opportunity. This link will take you directly to the Untreed Reads section.

Item Two: A Prince of Mars Coming Soon
A Prince of Mars, the fifth installment in Series One of Space: 1889 & Beyond and the first book in the series authored by Yours Truley, is in final proofreading, so should release soon -- sometime in February. I am very excited.

Item Three: Co-Authorship of The Dark Side of Luna
As you may remember, I'm co-authoring the first book in Series Two of Space: 1889 & Beyond, Conspiracy of Silence. I did some rewriting on J. T. Wilson's draft of Dark Side of Luna, the sixth and final book in Series One.  The rewrite ended up so extensive J.T. suggested I should be brought on board as a co-author, and so that's where we are. Why the extensive rewrite? Two reasons. First, Since I wrote book five and will write book one of Series Two, I probably have the best handle on where the characters are coming from and going to in this volume. Second, there is a lot of military action in this book and I have, it seems, a knack for writing about the military. Who knew?

So if you are anxious to see my fiction (and why wouldn't you be?) you now have three books coming in a row with my hand heavy on the oars.

Item Four: Baen Update
I know I said three items, but this one does not relate to the Untreed Reads series. Baen Books has accepted all my rewrites on How Dark The World Becomes and we're now forging forward at the somewhat more deliberate pace characterized by the traditional publishing world. Probably release date will be spring of 2013. It seems very odd that Conspiracy of Silence, which I haven't yet finished my half of, will be out before How Dark The World Becomes. Odd but understandable. I used to be in the publishing business and I know from first-hand experience how substantial an investment there is behind a new print product launch. If you just crank it out and throw it out the door, you don't stay around very long. Baen actually sent me a nice Powerpoint presentation tracking everything that will go on over the next twelve months with the book. It's different than the game industry, but only in detail, not essence.

So lots of stuff happening. Stay tuned.

Saturday, December 17, 2011

Abattoir in the Aether Coming Soon


We have a final cover for Abattoir in the Aether, by L. Joseph Shosty, and so the book itself should follow soon. Abattoir takes place on an orbital heliogragh station, but not one in planetary orbit. Instead Peregrine station is in solar orbit between the orbits of Mars and Earth so it can relay messages between the two planets when they are in orbital opposition, or close enough to it the worlds are not visible in the night sky. Of course, there's more to the station than simply that . . .

Abattoir in the Aether is Book 4 in the first season of Space: 1889 and Beyond stories. Book 5, of course, is my own A Prince of Mars, and no little kid anticipates his Christmas presents more than I wait for that one to appear. Oh boy!

Thursday, December 1, 2011

November Bestsellers Announced by Untreed Reads

I just received the November sales data from Untreed Reads through their online store. All three "Space 1889 & Beyond" books made the list!

Mark Michalowski's "Ghosts of Mercury," which wasn't released until almost mid-month, debuted at the number one spot. Congatulations Mark! (That cool video trailer you did must have something to do with it.)

Andy Frankham-Allen's "Journey to the Heart of Luna," the first release in the series, is still hanging in there at number 4.

K. G. McAbee's "Vandals on Venus" is not far behind at number 6.

Big congratulations to everyone. My own "A Prince of Mars" will hit the e-street later this month, along with L. Joseph Shosty's "Abattoir in the Aether." I've got some big sales numbers to live up to, but you folks are all going to buy a copy and recommend it to all your friends so I'm not going to be embarassed, right?

Right?